Two dudes drag along their younger nephew for a rousing game
of "Knock the Head off the Mannequin With a Frisbee." When the kid asks if he can try, his
beginner's luck is epic and absurd.
Watch Epic Frisbee Here:
Director's Notes: Green Screen Galore
The key skill that one
must master for almost every movie idea I ever have had is using a green
screen. Yes, I love my sci-fi movies, my
fantasy movies, model ships and explosions and puppets that are green screened
into the footage to make them look huge, and all that jazz. But there are subtle green screen shots that
go largely missed until you're trying to figure out how to film it yourself,
and you say, "oh, well, you just green-screen it."
Our high-tech, shielded slow-motion rig. The only way to protect the camera from damage when throwing a Frisbee at it was to use a sheet of acrylic and secure it in front of the lens. |
Because I did it in a
comical movie makes it easier to excuse as well. I feel like if I took the material seriously,
every critic would too.
That's really all the
more there is to this movie. You film a
shot without the Frisbee there. Then
film the Frisbee in front of a green screen.
Put one over the other, and ta-da!, the Frisbee looks like it's
there. You can do the same with a
picture. In this movie, I went through
NASA's public archive of images to get shots of satellites and the earth. Then, overlay the Frisbee, manipulate its
size and where it is onscreen, and it looks like it's flying.
I know that gets a little
dull to explain. And reviewing the raw footage
recorded in the green screen studio was rather boring for me, too. But it paid off, and it looks pretty
convincing. If I ever do it again, maybe
I'll try with something bigger. Probably
not a human. I tried a few optional green
screen shots with the actors in this movie, but I couldn't make those shots
work.
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